La Técnica de los árboles de problemas y de objetivos.
ÁRBOL DE PROBLEMAS
ÁRBOL DE OBJETIVOS
La Técnica de los árboles de problemas y de objetivos.
ÁRBOL DE PROBLEMAS
ÁRBOL DE OBJETIVOS
Today we’re happy to introduce Photos, an image-centric theme with a clean layout and a design that showcases your favorite snapshots.
When we designed Photos, we put extra care into making it look and feel great on mobile devices. But that’s only one of the theme’s highlights — here are a few others.
Photos first: Photos features a familiar three-column grid to display your photos on your blog’s homepage, archive pages, and search results. The full-width grid appears on smartphones and tablets. It scales up to a fixed-width grid on desktop and laptop displays.
Mobile navigation: When visitors view your site on a mobile device, the menu button is fixed at the bottom of the page, closer to your thumbs. The menu then slides up from the bottom, keeping your site-navigation items within easy reach.
Standard fonts: Photos uses system fonts — fonts that are already available on mobile devices and computers — rather than loading its own custom fonts. This reduces page-load time, and benefits people browsing your site on mobile devices or slower internet connections. Like in any other WordPress.com theme, you can always change the font using the Customizer.
No sidebar: For a more consistent experience between desktop and mobile screens, Photos has a single-column, no-sidebar layout. This helps sites retain the same look and feel regardless of the device your visitors use to view it.
Did you know that today is National Voter Registration Day?
At Automattic, our mission is to make it easier for people to speak their mind and connect with communities across (and beyond) the web — every WordPress.com website, and every blog post you publish with the tools we build, is part of a broader conversation. With the midterm elections coming up in the U.S. in November, we’re thrilled to announce that we’re a proud member of the TurboVote Challenge, a coalition of companies that champion civic engagement. Managed by the nonprofit organization Democracy Works, the TurboVote Challenge is a long-term, nonpartisan alliance of companies and brands that share a simple belief: democracy works better when more people participate.
The goal of the TurboVote Challenge is to help reach an 80 percent voter turnout in the U.S. by 2024. Automattic has joined more than 40 other members, including Amazon, Google, Starbucks, Target, Lyft, and MTV.
As part of this initiative, we’re also excited to team up with the Civic Culture Coalition, who recently launched I am a voter., a nonpartisan public-awareness campaign to increase turnout in the 2018 midterm elections. The campaign shows how stunningly easy it is to register to vote — in fact, registering takes three minutes (or less!). If you’re eligible to vote in the U.S., please make sure you’re registered today. Visit I am a voter.
Still not sure voting should be on your to-do list this November? Did you know that…
Aren’t these great reasons to get involved and register to vote? Thank you for your participation and thank you for being a voter! #iamavoter
A great note-taking app can helps with all kinds of daily routines like taking class notes, writing a shopping list, or jotting down ideas for your next great blog post.
At Automattic, we love using Simplenote, which is an easy way to create notes, lists, and more. Our favorite part? It’s backed by a powerful sync engine that syncs notes across all of your devices swiftly and smoothly — and for free! — so our notes are accessible everywhere.
The Simplenote experience is all about speed and efficiency. Open it, write some thoughts, and you’re done — saving and syncing happens automatically. As your collection of notes grows, find what you need fast by searching, and keep them organized with tags and pins. You can also share notes and publish them for other people.
Simplenote is also built to play nicely with WordPress.com. With the latest update to the app, can you sign in to the app using your WordPress.com account, so you have one fewer password to keep track of. Write something in the Simplenote mobile app and share it directly to the WordPress app, where it becomes a new post. And if you’re a fan of Markdown, your posts will be automatically formatted when published.
Simplenote is available for all of your devices, including iOS, macOS, Android, Windows, Linux, or you can use it on the web. Download it, give it a try, and let us know what you think!
The WordPress.com Business plan combines fully managed hosting with the freedom to grow and scale your site without limits. Today we’re adding Jetpack Search to WordPress.com Business so you can enjoy powerful and fast on-site search functionality as part of your plan.
Once you activate Jetpack Search, you’ll be using the same search engine powering some of the largest sites on the web. Jetpack Search provides a more engaging experience for your visitors: it relies on modern search algorithms that take phrase matches and the recency of your content into consideration, which in turn produces better search results.
In addition to more relevant matches, you can also configure the Jetpack Search sidebar widget to let your visitors sort their results or filter them by tags, categories, dates, and post types.
Whether you run a news site or sell products on your online store, a more engaging search experience will help readers and customers dig deeper into the content on your site and keep them there for longer visits.
As recently as three years ago, our enhanced search functionality was a $6,000-a-year add-on to our enterprise plan; we’ve since been able to scale the service and can now offer it as part of a Business plan that costs a fraction of the original price. Moreover, most search solutions come with limits on the total number of indexed posts or the number of monthly queries. Just like the rest of your WordPress.com Business site, unlimited is the name of the game. We want your business to be successful, so we don’t place arbitrary limits on the amount of content or number of searches that your visitors can run.
You can join the thousands of websites already using Jetpack Search by upgrading your site to WordPress.com Business today.
Read more about this new feature on the Jetpack Search support page.
Since the introduction of the Simple Payment Button, we’ve been looking for more ways to streamline payments on WordPress.com and Jetpack-enabled sites. Today, we’re introducing a new variant of the Simple Payment Button, available to WordPress.com Premium and Business plan subscribers and to Jetpack sites on Premium and Professional plans.
Use the Simple Payment Widget to add a quick payment option to the sidebar or footer of your WordPress.com or Jetpack site. (If you have Jetpack site, make sure its running version 6.3.3 or higher.) Then add the widget to your site via the Customizer, by going to Personalize → Customize → Widgets.
You’ll be able to select an existing Simple Payment Button or create a new one to add to your sidebar, header, or footer.
The widget also gives you the ability to manage all of your products or services from the Customizer — set pricing, add images, and write product description right in the widget settings:
Once you’ve create multiple payment buttons, you can choose between them any time you add the Simple Payment Widget. And any button you create or edit via the Customizer is instantly available to use on the rest of your site, on any post or page.
We hope you enjoy this new feature and make the most of it. Let us know what you think in the comments! And if you run into any issues setting up your new widget, take a look at the support documentation or reach out to support.
As many site creators know, it’s daunting to find images to represent the message you’re trying to put out into the world — especially if you don’t have the equipment or time to make your own.
At WordPress.com, we’re constantly striving to make it as easy as possible to create beautiful websites that represent who you are and what you stand for. We’re excited to announce that we’ve been working hard with Pexels and other diversity-focused image-library partners so that everyone with a WordPress.com or Jetpack-connected site can realize their vision with the right stock photos.
To use these images, just head to your Media Library and select Free Photo Library before searching for any image you need. You can also do this from the Add Media option within a post or page:
In January 2018, we collaborated with Pexels to integrate their free stock-image library into WordPress.com. Since then, every user has had access to thousands of free, high-quality images at their fingertips! Knowing how diverse our community is, however, we didn’t stop there.
Stock-image libraries have historically struggled to represent all experiences, and often excluded photos of people of color, people with disabilities, or non-binary individuals. Pexels is working to change that, and since partnering with them we’ve helped incorporate diversity-focused libraries to their collection. Ultimately, we believe it’s on us to help find a solution to this problem, and avoid generic stock images that often perpetuate stereotypes.
Our first partner in this effort was the Women of Color in Tech Stock Photos library (WoCinTech for short). We were thrilled to work with them, as they were an earlier driver for these efforts. Christina Morillo, one of the project’s co-founders, had this awesome message to share:
We started this collection to address the lack of visible representation of women of color engaging in technical tasks in stock images. Our mission was always twofold: Disrupt stock images and further representation of women/non-binary people in technology by making the photos accessible to all creators. We are thrilled to partner with Pexels and WordPress.com to further this mission and help creators like you represent who and what you stand for.
Since adding their brilliant photos to Pexels, we’ve seen their stats soar with more than 70,000 downloads and 28 million image views:
These statistics show how great the need and desire are for truly representative images online. What started out as a passion project of the WoCinTech group has now reached more than 40,000 people in the span of a month. Since we introduced the free stock image library, WordPress.com users have already downloaded more than 1 million photos.
Going forward, we’re thrilled to work with Pexels to bring other diverse image-library partners on board, and to expand the selection of images you can access.
We’re continuing to add more image libraries! This is where we could use your help:
Photo by Christina Morillo of WOCinTech from Pexels
It’s no secret that we’re big fans of podcasts — their beautiful storytelling and engaging news delivery add a whole new dimension to the media landscape — and podcasters. We happily support podcast creators, from sponsoring events like Podcast Movement to supporting embeds from services like RadioPublic.
Did you know that WordPress.com allows you to host your own podcast, right from your WordPress.com website? And we’ve recently updated our podcasting tools, simplifying the process of starting or managing your podcast. Whether you’re about to hit “record” on your first podcast or have used WordPress.com for your podcast for years, we think you’ll love these updates.
We’ve redesigned the Podcasting Settings page to be faster and more intuitive. Visit Settings > Writing > Podcasting to set up and manage your podcast channel. Pick a podcast category, add details like your podcast’s title and cover image, and you’re ready to go.
The post editor also got some new indicators to make it more apparent when you’re creating or editing a podcasting episode. To publish an episode, create a new post, assign it the podcast category you designated on the Settings page, and upload or embed an audio file.
Behind the scenes, we’ll do the heavy lifting to support services like Apple Podcasts, Google Play, Spotify, and even Alexa Daily Briefings. Submit your feed to each service once, and then publish episodes whenever inspiration strikes! We’ll make sure every episode gets listed.
Podcasts can add a new dimension to any site — and they encourage visitors to subscribe and return frequently.
If you have requests for other updates to our podcasting tools, let us know in the comments! We’ll continue to refine our podcasting support. In the meantime, you might want to check out some of these great podcasts that are already hosted on WordPress.com:
We wanted to update you about an upcoming change Facebook is introducing to their platform, and which affects how you may share posts from your WordPress.com website to your Facebook account.
Starting August 1, 2018, third-party tools can no longer share posts automatically to Facebook Profiles. This includes Publicize, the tool for WordPress.com and Jetpack-powered sites that connects your site to major social media platforms (like Twitter, LinkedIn, and Facebook).
Will this affect your ability to share content on Facebook? It depends. If you’ve connected a Facebook Profile to your site, then yes: Publicize will no longer be able to share your posts to Facebook. On the other hand, nothing will change if you keep a Facebook Page connected to your site — all your content should still appear directly on Facebook via Publicize. (Not sure what the difference is between a Page and a Profile? Here’s Facebook’s explanation.)
If you’ve previously connected a Facebook Profile to your WordPress.com site and still want your Facebook followers to see your posts, you have two options. First, you could go the manual route: once you publish a new post, copy its URL and share the link in a new Facebook post.
The other option is to convert your Facebook Profile to a Page. This might not be the right solution for everyone, but it’s something to consider if your website focuses on your business, organization, or brand.
While Facebook is introducing this change to improve their platform and prevent the misuse of personal profiles, we know that this might cause a disruption in the way you and your Facebook followers interact. If you’d like to share your concerns with Facebook, head to their Help Community.
This news is exciting to me on a few levels — eight years ago I had my first introduction to Atavist when I met a journalist named Evan Ratliff for coffee at Housing Works in New York. He showed me the first pieces of what became a bold new platform for long-form storytelling, which he created with co-founders Jefferson Rabb and Nicholas Thompson. At the time I had just started Longreads, so we shared an interest in seeing a revival for long-form journalism on the open web.
Fast-forward to today and we’re thrilled to have the Atavist and Longreads teams now together under the WordPress.com banner. Atavist’s publishing platform will be moving over to WordPress, and its award-winning magazine The Atavist will continue to serve up outstanding in-depth storytelling with a new feature each month, under the editorship of Seyward Darby. Also joining the team is Atavist CEO Rabb and head of product communications Kathleen Ross.
I chatted with Rabb, Darby, and Ross about what’s next.
RABB: Thank you, I’m thrilled to be here! My number one hope in joining [WordPress.com parent company] Automattic is to bring everything we have built and learned to an audience that is orders of magnitude larger. I’ve spent the past eight years honing a toolset and sensibility for digital journalism, and now I’m excited to put this to use for a mass audience. When these are integrated into WordPress, I am hoping we will have an unbeatable product for storytelling and journalism. There are many fascinating challenges and problems in journalism today, and now more than ever I want to be part of the solution.
DARBY: I’m also excited to be here! I’ve been at The Atavist Magazine for the last 15 months, and it’s the best job I’ve ever had. The list of things I love about our publication is too long to include in full, but some highlights are the intimate collaborations with creators, the anchoring belief in the timeless power of cinematic storytelling, and the commitment to nurturing the next generation of long-form writers. Certainly, we work with big-name journalists, but we’re also a magazine that supports up-and-coming narrative writers who want to take a swing at a really, really big story. I love nothing more than helping someone crack the code on a 15,000-word feature’s complex structure. (I’m a big fan of Post-It notes and story trees, and of fist-pumping to no one in particular when an article section falls into place.)
Moving forward, the magazine’s foundational priorities will remain the same: We’ll tell great stories, design them beautifully, treat our collaborators well, and have a lot of fun in the process. My hope is that, by combining forces with WordPress.com, we’ll get to push the boundaries of our projects: dive into more multi-part narrative investigations, produce more original video or audio where it makes good sense, improve the diversity of our roster of writers and artists, and provide journalists with the resources and time they need to report the hell out of topics they’re passionate about.
Winning awards and getting our stories optioned for film/TV, which we also have a strong track record of doing, will be goals, absolutely, but never at the expense of providing a quality experience to every person who contributes to or reads The Atavist.
DARBY: I’m proud of every story I’ve shepherded as the executive editor, so it’s hard for me to pick favorites. The most successful Atavist stories share the same key ingredients: a propulsive, satisfying narrative, rich characters, and scenes that make readers feel immersed in the world the writer is describing. At first blush, Kenneth R. Rosen’s story “The Devil’s Henchmen,” about what is being done with the bodies of the ISIS dead in Mosul, doesn’t seem to have much in common with Amitha Kalaichandran’s “Losing Conner’s Mind,” about a family’s quest to save a child from a rare, fatal disease; Allyn Gaestel’s “Things Fall Apart,” about an over-hyped art installation in Nigeria; Mike Mariani’s “Promethea Unbound,” about the tortured life of a child genius; or David Mark Simpson’s “Not Fuzz,” about a millionaire hotelier who moonlights as a serial police impersonator. Yet these stories all have compelling plots about everyday people whose lives are shaped by sheer will and unpredictable circumstance. You can’t put them down because you want to know what’s going to happen.
As for Atavist stories that predate my time at the magazine, I’ll award a few superlatives. Quirkiest goes to Jon Mooallem’s “American Hippopotamus,” about a bizarre plan to alter the national diet. Most Lyrical goes to Leslie Jamison’s “52 Blue,” about the world’s loneliest whale. Most Ambitious goes to Evan Ratliff’s epic “The Mastermind,” about a crime lord whose empire spanned pretty much the whole world. (It’s soon to be a book and TV show.) And Couldn’t Get It Out of My Head goes to Will Hunt and Matt Wolfe’s “The Ghosts of Pickering Trail,” about a family living in a haunted house. I’ll stop there, but I really could go on and on.
ROSS: Before I worked for Atavist, I actually worked right down the hall, so I have been reading the magazine for a long time. To me, the best Atavist Magazine stories are transporting: in “Welcome to Dog World,” Blair Braverman shows us Alaska; socialites head to Sioux Falls, South Dakota, for an early feminist victory in “The Divorce Colony” by April White; and James Verini’s “Love and Ruin” (the title story of our 2016 collection) is a romance and historical epic all in one, and I think about Nancy Hatch Dupree’s library in Afghanistan often. “A Family Matter” may be one of the most important stories we’ve done. Finally, I love stories about spectacular failures, so I have to mention Mitch Moxley’s article “Sunk,” which is about a disastrous attempt to make an epic movie about mermaids; plus, the piece has some excellent moments of maximalist design, including pixelated fish that bob across the page.
RABB: I have a soft spot for the very first stories such as “Lifted,” “Piano Demon,” and “My Mother’s Lover.” In addition to being great pieces of writing, they were the petri dishes in which our experimental approach to storytelling was born. They included ideas such as pop-up annotations, maps, and immersive sound elements. Even though the way we distribute our articles has changed dramatically since those stories were published—back then, they were exclusively on the Atavist mobile app and Kindle—many of the concepts and approaches in them formed the DNA of our company’s product. Developing those first few stories was an exciting and vital time for me.
DARBY: There are so many stories being told in the digital space right now, in so many ways, and to so many different audiences. Take SKAM Austin, which D.T. Max recently wrote about for The New Yorker. It’s a teen drama told entirely through Facebook posts, Instagram stories, texts, and other digital scraps and marginalia—a story crafted for its young target audience, based on the way they consume information and communicate with one another. That project is fictional, but there’s similar experimentation happening in the non-fiction space. Certainly, publications are pushing the envelope on transmedia (multi-platform storytelling) and rethinking story structure based on how events now unfold in real time in the palm of your hand. I’m thinking of projects like WIRED‘s story on police brutality, “How Social Media Shaped the Three Days That Shook America,” and National Geographic‘s partnership with ProPublica, “How the U.S. Triggered a Massacre in Mexico.” Recently, I was a fellow at the Sundance Institute’s New Frontier Lab, an incubator for storytellers who work with emerging technologies like VR, AR, and AI. It was incredible to hear the ways that this diverse group is reimagining how to create and deliver narratives. I can’t wait for all of the projects they were workshopping to be out in the world, and I hope to bring what I learned there to bear on my work at Automattic.
That said, I’m a journalist first, and when it comes to technology, I always have this nagging fear that form might compromise substance. No one should tell a story entirely via social media or VR or video just because they can; they should do so because there’s actual benefit—to the story itself, to the audience reached, and so on. I’m reminded of my very first job out of college, back in the aughts. I was a journalist in Eastern Europe and Central Asia, and I also conducted research on media training needs in the region. I met lots of aspiring journalists who said, “This international NGO helped me set up a blog, but I don’t even really know how to conduct an interview or fact-check. Can someone help me with that?” The experience has always stuck with me as a reminder that the basics of great journalism should apply no matter the platform. At The Atavist, we like to say that story comes first, and by that we mean plot and accuracy, then form and reach.